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You are rightly regarded as one of the pioneers of the form: what was your first ever sampler and what attracted you to the idea of sampling in the first place?Īl Jourgensen: Actually, my first ‘sampler’ was a Sony Nagra portable recorder.
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Guitarguitar: Al, thank you for agreeing to talk with us! I guess the first thing I wanted to ask is about sampling. We’ll check that out now and then pick up the tale. His answers are reliably glib and humourous, much as you’d hope for from the man who names his albums ‘ The Land of Rape and Honey’ and ‘ The Mind is a Terrible Thing to Taste’.
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Ministry mastermind Al Jourgensen has been a Schecter user for a long time, playing various custom axes that range from coffin-shaped to tridents! Fellow guitarists Sin Quirin and Cesar Soto are also part of the Schecter family, and through them, we were able to gain a much-appreciated meet up whilst Ministry were in town.Īl doesn’t tend to do interviews when on the road, so the first part of this (large) blog is a Q&A I conducted with him via email. It’s a thrilling sound, and one that’s been highly pillaged over the years. This is the band who used the notion of juxtaposition to allow Country-tinged harmonica to sit next to pulsing monosynths, for razor-sharp guitars to mix in next to carefully manipulated samples. It goes like this: no Ministry- no Rob Zombie, no Rammstein, no Nine Inch Nails. Ministry were the band that your Metal friends loved, that your electronic and Techno pals were scared of but begrudingly respected, and that your parents absolutely hated.
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More than any other artist, Ministry brought Metal riffs, samples, synths, drum machines and politically-themed lyrics together in a cyber-gumbo, the likes of which no one had ever before heard. Al Jourgensen will have none of it, but he and his band Ministry are pioneers in the field of Industrial Metal.